Browse Items (78 total)

Cibber, The Tragical History of King Richard III (Preface)

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Preface: Cibber’s Preface discusses his method of distinguishing his work from Shakespeare’s, allowing us to see the mix of writers at a glance.
Page 1: The first act of Cibber’s adaptation concerns Henry VI – already murdered in Shakespeare’s…

Garrick, Cymbeline: A Tragedy (Page 68-69)

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Excerpt from Act 5, Scenes 5-6. The italics indicate that this material was not part of the performance. They produce a reading experience focused on performance as the purpose of the text even as the text includes additional materials – perhaps like…

Nesbit, The Children's Shakespeare (Introduction)

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Nesbit’s introduction presents a rationale for prose adaptations in the guise of depicting her children’s reproachful bafflement by the difficulty of Shakespeare’s language.

Nesbit, The Children's Shakespeare (Page 10)

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Nesbit emphasizes the difficulty of the task and the children’s need for narrative, rather than Shakespeare’s distinctive language. For grown-up Nesbit, “the stories are the least part of Shakespeare.”

Godwin, The Greenwood Tree: A Portrait of William Shakespeare (Pages 60-61)

The Greenwood Tree: A Portrait of William Shakespeare
Pages 60-61: A young William courts Anne Hathaway in the forest using his own poetry. This fantasy connects Shakespeare’s professional writing with his personal life.

Godwin, The Greenwood Tree: A Portrait of William Shakespeare (Pages 128-129)

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Pages 128-129: The Godwins depict Queen Elizabeth I as “absorbed” by a performance of Shakespeare’s Julius Caesar. Via Elizabeth’s perspective, they offer conventional praise of Shakespeare’s ability to inspire the audience’s identification with his…

Godwin, The Greenwood Tree: A Portrait of William Shakespeare (Pages 104-105)

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Pages 104-105: Shakespeare, Ben Jonson, and Christopher Marlowe debate the age’s potential for literary greatness at a tavern, as a happy barmaid hoists a tankard.