Browse Items (22 total)

  • Tags: children's Shakespeare

White, Three Children and Shakespeare (Endpapers)

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Modern children contemplate Shakespearean theatrical institutions and historical difference in the book’s apt endpapers.

White, Three Children and Shakespeare (Page 266)

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The daughters rebel at the moral of female submission at the end of The Taming of the Shrew. Their mother suggests that their strong responses testify to Shakespeare’s power as a dramatist.

Nesbit, The Children's Shakespeare (Page 10)

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Nesbit emphasizes the difficulty of the task and the children’s need for narrative, rather than Shakespeare’s distinctive language. For grown-up Nesbit, “the stories are the least part of Shakespeare.”

Lamb, Tales from Shakespeare [1923] (Midsummer Night's Dream)

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An illustration for the Lamb’s telling of A Midsummer Night’s Dream. Puck disrupts churning. Again the depicted vignette is not part of the play or story but merely referenced in it.

Lamb, Tales from Shakespeare [1901] (Preface)

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The Lambs’ preface explains the conversion to prose as a way to support introductory study of Shakespeare by children and describes an effort to preserve Shakespeare’s own language as much as possible.Page 5:The Lambs write of the difficulty of…

Lamb, Tales from Shakespeare [1901] (Measure for Measure Pages 208-209)

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Excerpt from Measure for Measure (Pages 208-209)
Characters’ motives and actions are stated in the Lambs’ Tales, where readers of the plays must interpret them for themselves.

Lamb, Tales from Shakespeare [1901] (Measure for Measure Pages 202-203)

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Excerpt from Measure for Measure (Pages 202-203)
The Lambs’ adaptations make many changes to Shakespeare’s texts. In their Measure for Measure, the play’s sexual content is relayed euphemistically. Elaborate exposition and interpretation of the…

Shakespeare: Ten Great Plays (Macbeth)

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Malcolm’s besieging army, looking festive with trumpets, pennants, and branches from Birnam Wood, unsettles Macbeth.

White, Will Shakespeare and the Globe Theater (Pages 58-59)

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Pages 58-59: White depicts the influence of Marlowe on Shakespeare.

White, Will Shakespeare and the Globe Theater (Pages 56-57)

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Pages 56-57: At the start of his writing career, Shakespeare assesses his achievements, acknowledging that Titus Andronicus “was not a good play” despite its popularity. This view of Titus reflects the critical consensus of her own day more than…