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Shakespeare: Ten Great Plays (Hamlet)
An eye-catching depiction of Hamlet and Laertes’s duel.
Shakespeare: Ten Great Plays (Macbeth)
Malcolm’s besieging army, looking festive with trumpets, pennants, and branches from Birnam Wood, unsettles Macbeth.
Shakespeare's Sonnets, The First Edition (Introduction)
Following Malone’s interpretation, the 19th century was eager to read the Sonnets for evidence of Shakespeare’s intimate personal life. The introduction to the facsimile volume assumes that the “Dark Lady,” as the sonnet mistress became known, was a…
Tags: 17th century, 19th century, editions, Sonnets
Shakespeare's Sonnets, The First Edition (Opening Page)
By 1880, photolithography was able to convey the feel of the original pages of the book, while adding features that frame a reader’s interpretive encounter with the text, such as the line numbering here.
Tags: 17th century, 19th century, editions, Sonnets
Shakespeare's Sonnets, The First Edition (Title Page)
This 1880 photolithographic facsimile reproduces Shakespeare’s Sonnets’ title page. No evidence exists tying Shakespeare directly to the publication of his sonnets. We don’t know whether he chose the order of the poems.
Tags: 17th century, 19th century, biography, editions, Sonnets
Tate, The History of King Lear (Dedicatory)
Epistle Dedicatory by Nahum Tate
Tags: 17th century, adaptations, genres, history, King Lear, revisions, Tate, tragedy
Tate, The History of King Lear (Page 4)
Page 4: Cordelia’s criticism of Lear’s demand to occupy sole place in his daughters’ hearts is understood by Lear in Tate’s version as deriving from her love for Edgar.
Tags: 17th century, adaptations, genres, history, King Lear, revisions, Tate, tragedy
Tate, The History of King Lear (Page 63)
Page 63: In Tate’s version, Lear turns action hero, seizing a weapon from the guards and successfully fighting them off until Edgar and Albany rescue him and Cordelia.
Tags: 17th century, adaptations, genres, history, King Lear, revisions, Tate, tragedy
Tate, The History of King Lear (Pages 66-67)
Pages 66-67: Tate’s Lear ends with Lear and Gloucester alive and reconciled to their children, and Edgar and Cordelia jointly placed on English throne by Lear.
Tags: 17th century, adaptations, genres, history, King Lear, revisions, Tate, tragedy
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